Wolfgang Amadeus Mozart :: essays research papers

Wolfgang Amadeus Mozarts name is familiar even to people who sock little or none of his music. However, Mozarts fame is based on 2 different frames of reference firstly, cosmos the most famous child vaticination in music history (as both a performer and a soother) and secondly, his unquestioned brilliance as an adult composer of Classical symphonies, operas, chamber music, sonatas, perform music, and concerti for various instruments. Perhaps what he is best remembered for are his operas.&9 His astonishing rate of production continues to stupefy scholars today. In his short keep, he composed over 600 works, including 21 stage and opera works.The most clear distinction between Mozart and other opera composers is that he was the master of every(prenominal) other branches of composition. Mozarts operas are from a mind that thought symphonically, so even if you dont know whats going on, you sess tell you are listening to an extended piece of music in which the dramatic incide nts form a part of a perfectly limpid whole. Mozart wrote from some excellent libretti, yet the music is always the dominant element, better-looking the action inflections of meaning the words alone couldnt reflect. Furthermore, until Mozarts emergence, operatic characters where generalized and typical. Mozart was the first to put real people up on the stage, people who had real emotions that were inconsistent and whose personalities were evolutionary. In 1767, the Mozarts went to Vienna where Wolfgang was commissioned to compose his first opera, La finta semplice, K. 51. Intrigues created by envious composers, prevented this first opera from being performed. However, another charming early theatrical work of Mozart, Bastien und Bastienne, an opera buffa, was performed in Vienna where it was greeted with much acclaim. His first major serious opera, Mitridate, was performed in Milan in 1770 when he was only fourteen, and it was received with unqualified raves that critics compared him to Handel.The 1780s began the struggling quantify for Mozart, although the Emperor, who thought highly of Mozart, attended several of his "academies" but did little else for him. Eventually, on that point was an appointment as Court composer, but there were next to no orders for compositions. When a salary was added to the title, it was a meager one, and Mozarts last years, in elicit of some notable successes (Figaro, 1786), were beset by financial worries, aggravated by Konstanzes (Mozarts wife) many sicknesses and confinements. Although Mozart had initially thrived in Vienna, since he was in colossal demand as a performer and composition teacher, and his opera, The Abduction from the Seraglio, was a hit, life was seldom easy for him.